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The use of new materials, such as steel in its many forms; molded plywood, such as that used by Charles and Ray Eames; and of course plastics, were formative in the creation of these new designs. They would have been considered pioneering, even shocking in contrast to what came before. This interest in new and innovative materials and methods - produced a certain blending of the disciplines of technology and art. And this became a working philosophy among the members of the Deutscher Werkbund. The Werkbund was a government sponsored organization to promote German art and design around the world. Many of those involved with it including Mies van Der Rohe, Lilly Reich and others, were later involved in the Bauhaus School, and so it is not surprising perhaps that the Bauhaus School took on the mantle of this philosophy. They evolved a particular interest in using these new materials in such a way that they might be mass produced and therefore make good design more accessible to the masses. |

Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. It was a tremendous departure from all furniture design that had gone before it. Dark or gilded carved wood and richly patterned fabrics gave way to the glittering simplicity and geometry of polished metal. The forms of furniture evolved from visually heavy to visually light.